No. 264 Visual Culture in the Art Class: Case Studies
Paul Duncum

This anthology offers reports from teachers on a range of classroom and community pursuits informed by studies of visual culture. All of these teachers are rethinking the purposes and scope of art education. Many of their narratives include theoretical ideas along with significant details about teaching methods and indicators of student learning. This anthology demonstrates that studies initiated under the banner of visual culture take many forms in practice, may have different theoretical emphases, and are not entirely new in every respect. In the context of art education, they provide an occasion to students and teachers to consider who has authority in deciding what counts as “art,” when, in what contexts, with what consequences, and for whom.

194 pgs. (2006) ISBN 1-890160-33-4
Nonmembers: $25.00
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No. 223 | Culture and the Arts in Education: Critical Essays on Shaping Human Experience
Ralph A. Smith

This collection of Ralph Smith’s writings provides a comprehensive overview of his extraordinary contributions to understanding the importance of aesthetics in education. These essays record his lifelong efforts to construct a defensible rationale for the arts in general education and a workable curriculum for art education in our public schools (K–16). The topics covered range from liberal education to arts education, the relationship of art, aesthetics, and aesthetic education to teaching and curriculum, the arts and the humanities, and cultural diversity.

177 pgs. {2005} ISBN 0-8077-4654-1
Nonmember Price: $23.00
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No. 215 | Video Art for the Classroom
George and Ilona Szekely, Editors

This anthology features contributions from over 18 video artists and educators. Each contributing author offers a diverse approach to the use of video art with students. This book offers examples spanning a broad range of various technological levels, and projects ranging from the shoebox "camera" to actual animation, documentary, broadcast journalism, and more. Each chapter relays a distinct account of how video art was and can be used successfully in the K-12 classroom or community to make art come alive—regardless of budget or technological savvy.

204 pgs. {2005} ISBN 1-890160-27-X
Nonmember Price: $25.00
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No. 293 | Semiotics and Visual Culture: Sights, Signs, and Significance
Deborah L. Smith-Shank, Editor

Semiotics is the study of signs and symbols in culture. Anything can be a sign, and most things are, most of the time. Signs are not stagnant and the meanings we attribute to them change over time as the contexts and our own understandings change. Semioticians bring to their study of signs and meanings, their work in disciplines as different as education, neuroscience, botany, mathematics, psychology, ecology, music, and art.

154 pgs. {2004} ISBN 1-890160-25-3
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No. 289 | Teaching Visual Culture
Kerry Freedman

Global culture is rapidly shifting from text-based communication to image saturation. Visual culture is everywhere: on television, in museums, in magazines, in movie theaters, on billboards, on the internet, and in shopping malls. As a result, learning about the complexities of visual culture is becoming ever more critical to human development. This is the first book to focus on teaching visual culture. Drawing on social, cognitive, and curricular theory foundations, Freedman offers a conceptual framework for teaching the visual arts from a cultural standpoint. Chapters discuss: visual culture in a democracy; aesthetics in curriculum; philosophical and historical considerations; recent changes in the field of art history; connections between art, student development, and cognition; interpretation of art inside and outside of school; the role of fine arts in curriculum; technology and teaching; television as the national curriculum; student artistic production and assessment, and much more.

189 pgs. {2003} ISBN 0-8077-4371-2
Nonmember Price: $22.00
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No. 286 | The Arts and the Creation of Mind
Elliot W. Eisner

A collaborative initiative with Yale University Press to distribute The Arts and the Creation of Mind, one aim of the text is "to dispel the idea that the arts are somehow intellectually undemanding, emotive rather than reflective operations done with the hand, unattached to the head." Eisner's straightforward, accessible language takes the reader into chapters such as: What the Arts Teach and How It Shows; Describing Learning in the Visual Arts; The Educational Uses of Assessment and Evaluation in the Arts; What Education Can Learn From the Arts; Agenda for Research in Arts Education, and more.

Although the arts are often thought to be closer to the rim of education than to its core, they are, surprisingly, critically important means for developing complex and subtle aspects of the mind. Eisner describes how various forms of thinking are evoked, developed, and refined through the arts. These forms of thinking are more helpful in dealing with the ambiguities and uncertainties of daily life than are the formally structured curricula that are employed today in schools.

288 pgs. Hardbound {2002} ISBN 0-300-09523-6
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No. 272 | Art and Cognition
Arthur Efland

In this in-depth text, the preeminent art education scholar Arthur Efland not only sheds light on the problems inhibiting art education, but also demonstrates how art contributes to the overall development of the mind. Delineating how the development of artistic interests and ability is an important aspect of cognition and learning, he shows how art helps individuals construct cultural meaning, a crucial component of social communication—a foundation for lifelong learning that includes the arts. In Art and Cognition, Arthur Efland: explains the cognitive nature of learning in the visual arts—debunking the persistent perception of the arts as emotive only; looks at recent understandings of the mind and intelligence to determine how they bear on questions of the intellectual status of the arts; explains how a cognitively oriented conception of teaching will change the ways that the arts are taught; discusses the ways in which new developments in cognitive science can be applied to art education; describes how the arts can be used to develop cognitive ability in children; identifies implications for art curricula, teaching practices, and the reform of general education. Topics: The Uneasy Connection Between Art & Psychology • Artistic Development in Cognitive Developmental Theories • The Cognitive Revolution & Conceptions of Learning • Cognitive Flexibility Theory & Learning in the Arts • Obstacles to Art Learning & Their Assessment • Imagination in Cognition • A Cognitive Argument for the Arts

216 pgs. {2002} ISBN 0-8077-4218-X
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No. 268 | Student Art Exhibitions: New Ideas and Approaches
Bill Zuk and Robert Dalton, Editors

The display of student art is much more than pictures on a wall and an eye pleasing arrangement; this is a text that conveys a great deal about the ideas and accomplishments of both teachers and students. New thinking on goals and methods of student art exhibitions allows us to more thoughtfully construct that text and invites educators to share 'best practices.' Student Art Exhibitions: New Ideas and Approaches includes sections on: cultural and historical perspectives; students as curators; planning and presenting an exhibition; pedagogical exhibitions and advocacy; and new venues on the web.

88 pgs. {2001} ISBN 1-890160-18-0
Nonmember Price: $18.00
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No. 218 | New Technologies and Art Education: Implications for Theory, Research, and Practice
Diane Gregory, Editor

This new anthology explores an overview of how technologies are used in the classroom; innovative uses of the new technologies such as Hypermedia, Internet and the Worldwide Web, distance learning and instructional video; an examination of staff development, teacher preparation, and instructional uses; the use of interactive technologies with aesthetics, criticism and art history; cautions and appropriate uses of technology in the classroom.

189 pgs. {1997} ISBN 0-937652-74-1
Nonmember Price: $22.00
Member Price $18.00

No. 207 | Educationally Interpretive Exhibition: Rethinking the Display of Student Art
Kelly Bass, Teresa Cotner, Elliot Eisner, Tom Yacoe and Lee Hanson

Rethinking the Display of Student Art focuses upon an educational model, rather than on a gallery model. The interpretive exhibition of student artwork is intended to help people understand the relationships between thinking and the creation of visual art. The 28 full-color images throughout the booklet illustrate how the exhibition was arranged and constructed; the final section of 47 "General and Theoretical Quotes" is especially helpful for literature pertaining to cognitive and artistic development. It makes a useful contribution to arts education, advocacy, and educational reform i.e., state standards, frameworks, and assessment.

20 pgs. {1997} ISBN 0-937652-99-7
Nonmember Price: $15.00
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No. 253 | Aesthetics for Young People
Ronald Moore, Editor

This book is loaded with "user-friendly aesthetics." It contains explicit instructional strategies and learning outcomes with numerous illustrations of classroom techniques. Extraordinarily wide in scope, it deals with educational issues for all levels—pre-school through high school. This book deliberately sets out to debunk the idea that aesthetics is too hard for kids, or too esoteric to fit into the K-12 curriculum; it shows how aesthetics can be approachable, interesting, and worthwhile for all children. First of its kind, Aesthetics for Young People is the only collection of detailed essays by aesthetics experts in philosophy, art education, and museology for the education profession. A unique textbook for teacher preparation programs and key resource for any staff development program.

127 pgs. {1995} ISBN 0-937652-73-3
Nonmember Price: $18.00
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No. 255 | Excellence II: The Continuing Quest in Art Education
Ralph Smith

This publication broadens the search for excellence, bringing into focus developments that have challenged art educators. Modernism and Postmodernism, Multiculturalism, and Cultural Particularism are among the chapters of the volume. The book addresses specific classroom needs and questions, this time with applications for the K-12 curriculum in contrast to the emphasis on secondary grades in the original version. Contains a prototype excellence curriculum for art education—essential for staff and curriculum development. Available as text for teacher preparation programs.

228 pgs. {1995} ISBN 0-937652-87-3
Nonmember Price: $22.00
Member Price: $15.00